It’s very hard to recommend and describe this kind of music and this duo. It’s polarizing, not because they sound bad. It’s because they push the envelope so far, it may not be anyone’s wheelhouse. But what is Matmo’s wheelhouse?
You can describe them as musique concrète composers that would make Foley artists blush, but they’re more than that. They’ve sampled pieces of plastic, Smithsonian displays, and a freaking washing machine. And here, in their latest album, pieces of metal. It’s not a gimmick or an afterthought, they make complex sound structures and amplify the qualities of what makes said object sound so ubiquitous to us.
In Norway Doorway, they used a door to be the main feature in this hall of gongs and bells. Feels like I’m in a temple occupied of monks. The titular door just has these elongated creaks with its unhinged hinges. It emulates a haunting trumpet for most of the time. You can hear more of this kind of alchemy and sorcery with other metallic objects on their latest album, Metallic Life Review.
For any electronic enthusiasts, dive into Matmos. Here. There. Anywhere. Because with this experimental group from Baltimore, you’ll have no idea where you might end up.
You can purchase their latest album on Bandcamp and their discography is available on streaming services.
https://matmos.bandcamp.com/album/metallic-life-review


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